Temple of Hephaestus

The Agora of Athens is dominated by the Hephaistheum, which stands, surrounded by strips of lawn and clumps of oleander, atop the hill of Kolonos Agoraios on the northwest side of the Agora. This Temple was dedicated to Hephaestus, the blacksmith God, and Goddess Athena. Two lateral stairways lead up to it. For many years this Temple was assumed to be the Sanctuary dedicated to Theseus, whose exploits are featured on its metopes. In fact the real Theseum, built by Kimon in 475 B.C.E., stood on the east side of the Agora, at the foot of the Acropolis. The Hephaistheum by contrast was built in about 449 B.C.E., two years before work began on the Parthenon, and its architect is unknown. Having escaped destruction several times, the Temple remained practically intact until the mid 7th century C.E., when it was occupied by the Christian church.

The Hephaistheum is a Doric hexastyle Temple. Its stylobate and superstructure are of Pentelic marble. The front and rear porches are distyle, in antis. The inner colonnade originally included two levels of Doric columns, surmounted by a wooden entablature. A monumental door separated the pronaos from the naos (the inner sanctum), which was dominated by a colossal statue of Hephaestus. The statue of Athena occupied the second place.

The reliefs of the frieze, along with the metopes of the Temple, are sculpted in Parian marble and represent the labors of Hercules and the exploits of Theseus. Only eighteen of the sixty-eight metopes were sculpted; the fifty others were probably painted. The pediments were adorned with sculptures, of which only the smallest traces remain. The frieze of the pronaos illustrates the mythical contest of the Athenians and Lapiths against the Centaurs.

The Cult

Another aspect of Hephaestus' relationship to Athena comes to fore here where he is not the consuming God of fire, but the bridegroom, husband, and father of the divine child. In the month of Pyanopsion the festival of Apatura was celebrated, at which the youth of Athens, in phratries (brotherhoods) under the protection of Zeus Phratrios and Athena Phratria, received the initiation which they needed in order to get married. At this festival Hephaestus was particularly celebrated: men, dressed in their most beautiful garments, lit the torch at the fire of the hearth, sang in praise of their God, and sacrificed to him. There is no report in the fragmentary evidence of a torchlight procession, but such can safely be assumed, and for the Corinthian Hellotia a report of such is handed down explicitly.

On the last day of the same month began the festival which Hephaestus and Athena shared in common, the Chalkeia. This day was celebrated like a wedding: the artisans presented grain swingles to the Goddess. The secret of this festival was not given away, with the result that more stories were told about it, such as that Athena was given to Hephaestus and placed in a chamber for him, or that he followed her and embraced her. All variations allow the Goddess to leave the embrace a virgin, but they allow a child to originate nine month latter from this same embrace.

Only in a later period was the festival of Chalkeia - named such after the material and art of the founders and smiths - celebrated exclusively by artisans as though it were a festival of Hephaestus. Earlier it belonged among the most important festivals of Athena and was called Athenaia.

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